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Royal
Oak Historical Society Museum News |
Quoth the Fire Station Raven?
At the top of the hose-drying tower in the Fire Station which will become our Museum was a stuffed raven, since removed along with the hoses and other city property. Seeing the raven during one of his tours of the facility, University of Detroit/Mercy assistant professor Wladislav Fuchs told curator Muriel and his students the following story. Professor Fuchs's 16 students of architecture also twice visited the Churchill Museum, as they prepared to create their futuristic concepts to apply at the fire station.
Long time ago
, there was a little boy whose father was a firefighter in Poznan, in the Kingdom of Poland. The boy was growing up watching his father, and hoping that he too will become a fire fighter, and save peoples’ lives and homes. The family lived in a small house not far from the watchtower, where boy’s father was often watching over the city to make sure that it was safe from fires and enemies.One day, when the boy came to visit his father, he found on a street a raven with broken wing. He took the raven back home. The boy did his best to fix the broken bones, and made a little box in which the raven would sleep. The raven could not fly, so it was just hopping around, and it followed the boy everywhere. The boy became very attached to the raven. The wing healed quickly, and it soon became apparent that the raven will be able to fly again. One night the boy woke up when he felt a gentle tap on his head. He opened his eyes expecting to see the raven by his shoulder, as it had happened many times before, but instead he saw a young man standing in the middle of the room. The man said: “Don’t be afraid. I AM the raven, but I am really a Raven Prince. I wanted to thank you for your kindness before I have to go. Before I leave I want to give you this...” And he gently placed a small golden trumpet in boy’s hand. “If you ever need my help, sound this trumpet, and I will help you, I promise. Good bye, my friend.”
Years have passed. The boy became a firefighter, like his father. But he never forgot his raven friend. He always had his little trumpet with him, on his chest. The boy never had to use it, because he had enough courage and strength to be the best firefighter in the city. But a great war came, and enemies stood at the gates of Poznan. They were numerous and strong, and the city did not have much hope to survive the siege. The young firefighter looked in despair. His city was being reduced to ruins, and people were dying. And then he thought about the promise of the Raven Prince.
He ran quickly to the watchtower, where he pulled out the trumpet and with all his strength sounded the signal of despair. When the sound faded, he looked anxiously, hoping for something to happen. At his feet there was still the battle, and it was almost lost. Suddenly he felt a gentle tap on his shoulder. He looked around and saw the Raven Prince in the room with him. The Prince said: “I promised, and I coming back to help you. Look!” The firefighter looked outside again, and this time he saw a huge storm cloud forming over the horizon. But the cloud moved with amazing speed, and soon it was over the city, and it was not a cloud, but thousands of ravens flying through the skies. They attacked the invaders, beating them with their wings and knocking them out with their beaks. The enemies soon retreated, and the city was saved. The young fire fighter turned to thank their savior, but there was nobody in the room again.
Until today, every day at noon the same melody the young firefighter played that day is played again to remind people of the necessity for courage and friendship.
Retired firefighter Ben Upton provides a little local history about all this:
I left the raven at the top of the hose tower at station #2 to keep watch over the City of Royal Oak. Honestly, I did wonder how long it would be allowed to stay there, as most people have never heard any version of the fine story the bird relates to.I heard a variation on this story many years ago, prior to becoming a firefighter. The bird in question was mounted by my father, Karl William Upton, and came into my possession at his death in 1998. At that time I could think of no finer place for it to reside than the hose tower of #2, overlooking this fine City. It is mounted standing on one foot, holding a 5 card hand of "Rook" cards in the other foot, and has "Upton" written in black marker on the bottom of the wood base it stands on. That is the extent of it's local history.When I retired I felt that the proper place for my raven was still there, so I left it in its place, as I believed that the need for courage and friendship have never been greater in Royal Oak. I think this story and what it represents should be told widely.
Upton was President of Firefighters Local 431 when the union successfully added the mandated staffing amendment to the city charter.
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KKK in Royal Oak
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Learning from history. A black high school student visiting the Royal Oak Historical Society Museum was startled by this picture and by the actual cross on display in one corner of the museum. The photo shows Father Coughlin attempting to beat out the fire on a cross placed on early church grounds of the Shrine of the Little Flower at Woodward and 12 Mile. |
"I never knew they would burn a cross on a white man's property," the young man said.
Another reaction is that the Museum should not keep the scorched cross on display -- out of sensitivity, not for blacks and Catholics and Jews but for long-time Royal Oakers whose ancestors may have supported the KKK back then.
One irony which comes to mind when viewing the History Channel's video about the KKK is that although Civil War era Republicans were pro-war and most Democrats anti-war, it was Protestant Republicans who -- from the 1920's to the early 1940's -- allied with the KKK to take control of local and state governments and to elect numerous U.S. Representatives and Senators.
Learning from history.
Daily Tribune shares historical
photos
The Daily Tribune, in the course of being the
area's newspaper of record for
decades,
has accumulated thousands of photographs of people, store fronts, buildings being
erected or demolished, parades, groundbreakings, businesses opening or
closing, Some of the photographs are from the 1880s.
Now, the Trib is granting access to Royal Oak-focused historical photographs to the Royal Oak Historical Society Museum. To grant that access and at the same time ensure that the photos don't leave the premises, publisher Wayne Oehmke has provided the Society with space in which to set up its scanner and computer, and he permits access to the work area by several rotating Museum volunteers.
The work has just begun and in the accompanying picture volunteer Joanna Becker is preparing to scan a 1930s picture showing Neisner Bros. display windows.
Town Tavern opens on Fourth Street
The Town Tavern has just opened on Fourth Street, between
Washington and Main. Bill Roberts, partner/owner with Herb Abrash,
describes the tavern as "an updated and upscale version of a 1930s neighborhood
tavern."
Because Roberts and his widely recognized interior designer Ron Rea borrowed old photographs from the Royal Oak Historical Society Museum to digitize and enlarge for the tavern's walls, museum curator Muriel Versagi and her spouse (me) were invited to one of the "rehearsal" nights for chefs, bartenders, and wait staff. The menu thanks the society and the curator for their cooperation.
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| The
Tavern The tavern itself is beautiful; linen tablecloths and napkins wouldn't be out-of-place. The long dining area, with seating on two sides of an aisle, is separated from the bar by an attractive low wall topped with a translucent sight-barrier. Town Tavern is a non-smoking facility. The food was beyond good, it was excellent. Muriel and I sent our compliments to the (four?) chefs. The presentation was delightfully attractive, whether appetizer, salad, or entree. When Roberts brought Detroit News Restaurant reviewer Molly Abraham to our table, I teased that she and I can compare reviews! Our waitress, Sarah Snyder, was pleasant and attentive without being intrusive. Waiters and waitresses were scanning each others stations, European style. I especially liked Sarah's "absolutely" instead of this generation's "no problem" after I thanked her for this or that bit of service.. June 2007 |
The
Historical Dimension Above, museum curator Muriel Versagi and Town Tavern owner Bill Roberts pose in front of one of the most commented-upon reproductions. The sign in the pictured parking lot announces 10 hours of parking cost 25 cents and two hours cost a nickel. Another popular photo shows Royal Oak's 1926 police force in front of their first station-house. Visible are three motorcycles, less visible is one horse. Royal Oak Police Chief Ted Quisenberry, though in our city for only several years, claims he remembers serving in that early station. Quisenberry accused Muriel of being "a Sinner, not a Puritan" during a discussion about the relative ease that Roberts reported while working with the city, compared with the recent turmoil about BlackFinn. District Court Judge Terry Brennan simply looked on with judicial calm as Ted and Muriel and I vigorously exchanged opinions about . . . whatever. |
Historical artifacts are restored

One hundred twelve artifacts which were water/steam damaged last winter at the Royal Oak Historical Society's Museum have been restored.
As this is written they are to be transferred to controlled environment storage supplied free to the society by Ferndale-based Leonard Bros. There the restored items will be kept until the museum relocates from its temporary home in Churchill Community Education Center, probably at year's end. (The transfer from restorer to storage happened just 2 hours ago. The press was there, so VersagiVoice readers will likely be reading details in the Daily Tribune, Mirror, Review, and Detroit News.)
In the accompanying photo, museum curator Muriel Versagi, right, shows her enthusiastic satisfaction as she examines restored artifacts with Mary Fisher, left, and Tiffany Freshnel, who directed and performed the restoration at Livonia-based Art Recovery Technologies.
The large painting of George A. Dondero
partially visible at far right was severely stained and streaked before
restoration.
June 2007